Atem (album)
| Atem | |||
|---|---|---|---|
 1973 LP album cover | |||
| Studio album by Tangerine Dream | |||
| Released | March 1973 | ||
| Recorded | December 1972 – January 1973 | ||
| Studio | Dierks Studio | ||
| Genre |
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| Length | 41:28 | ||
| Label | Ohr | ||
| Producer | Tangerine Dream | ||
| Tangerine Dream chronology | |||
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Atem (English: Breath) is the fourth major release and fourth studio album by German electronic music group Tangerine Dream. It was released in March 1973 by record label Ohr.
Contents
- 1Content
- 2Release and reception
- 3Track listing
- 4Personnel
- 5References
- 6External links
Content[edit]
The music on Atem ranges from slow atmospheric pieces to more aggressive percussion and vocal experiments with dynamic Mellotron orchestrations. Describing its style, AllMusic wrote "Atem is more melodic and less dissonant than Tangerine Dream's other early works. The lineup [...] puts a nice topspin on the old prog rock sound. [...] While it is still very common to see TD listed as progressive rock and art rock, this album is pure space music."
The album marked the end of the band's seminal "Pink Years" period, with future albums adopting a more structured (and commercially viable) sound.[citation needed] Julian Cope's Head Heritage described it as Tangerine Dream's "transitional album".
The baby pictured on the cover is Jerome Froese, the son of Edgar Froese, who would eventually become a member of Tangerine Dream. He was two years and four months old at the time this album was released.
Release and reception[edit]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |
  [1]
|
| Head Heritage | positive[3] |
It was largely through DJ John Peel's enthusiastic championing of this album (it was one of his "Albums of the Year" in 1973), that Tangerine Dream first came to the attention of British music listeners in a big way.[citation needed] The public began ordering copies of the group's albums through mail order companies (although Atem, along with Alpha Centauri, did get an official UK release on Polydor around this time). According to legend, it was this mail order activity that caused Richard Branson to take notice.[citation needed]
In its retrospective review, Head Heritage described it as "TD's most adventurous and exhilarating listening experience", and the title track as "TD’s most powerful moment"